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On the cover: Mulatu Astatke: Deep into his latest tour, the pioneering 81 year old Ethio jazz vibraphonist is finding new ways to be himself. By Francis Gooding
Griot Galaxy: Faruq Z Bey’s enigmatic cosmic messengers fused Detroit’s underground jazz modes with Afrofuturist sci-fi themes. By Mike Rubin
Alpha Maid: UK based guitarist/vocalist/producer Leisha Thomas creates her own unique language of time loops, dub swirls and grungy licks. By Claire Biddles
Emergence Collective: The simple practice of pattern recognition opens up improvised utopias for this Sheffield crew. By Daryl Worthington
Konrad Smoleński: The Polish artist connects art and activism through alpine bell and sculptural instrument installations. By Robert Barry
Invisible Jukebox: Test Dept: Can South London’s industrial veterans prove their metal with our mystery record collection? Tested by Mike Barnes
Debit: The Mexican-American producer reanimates 1990s cumbia rebajada. By April Clare Welsh
Klinck Trio: Belgian chamber musicians are networking across improv and avant pop. By Clive Bell
Global Ear: Underground resistance to the rise of the far right in Vilnius. By Andy Hamilton
Unlimited Editions; Enigmatic digital dispatches from jb glazer’s glint music. By Misha Farrant
The Inner Sleeve: Helado Negro on ESG’s ESG
Against The Grain: Rave’s countercultural spirit is under threat in an era ruled by social media, argues Holly Dicker
Epiphanies: Andy Hamilton asks: why did Keith Jarrett stop composing?
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